score for a public performance. neighborhood narratives class with David Gordon
This choreography / performance is influenced by Taoist philosophy, Zen meditation and dance improvisation . Also inspired by Chinatown, the block chosen for the final project.
The pattern of movement is based on Qi Gong and Tai Chi where all the movements are based on the principle of yin and yang, are in circle and usually very slow, although an explosive force makes also part of it.
The design of the score is purposely conceptual, using cosmological schemes to explain the movement of the performers. The true movement has to be found in the present moment of the performance. All the materials used on the score were found in Chinatown and are used in traditional Chinese painting.
IN EMPTINESS FORMS ARE BORN
ONE CAN LIVE ONLY IN THE PRESENT MOMENT
THE REALITIES OF LIFE ARE MOST TRULY SEEN IN EVERYDAY THINGS AND ACTIONS
EVERYTHING EXISTS IN RELATION TO OTHER THINGS
Place: rectangle close to City Hall.
Performers: 14 + 2 for the Solo
Viewers: Balcony around, benches, exit from subway, people passing through
Eventually music (but not entirely necessary)
Mar 30, 2006
Mar 13, 2006
WONDERING LEAVING THE SEA BEHIND
I arrive by bus in China Town, New York. Take the subway to Time Square. The screens on the buildings are overwhelming. I forget the weight of my bag, I forget about myself. Maybe a big city is about that. I take pictures with my new digital camera, trying to capture some of the images from the screens but when the camera shoots the image I wanted has already gone. Maybe this could be a good metaphor for the speedy environment of a mega-city like this one. I feel a tourist taking these pictures. Usually I feel like a traveler what’s different from being a tourist. But here is like I already know this city, probably because of all the films I saw set in NY. I don’t know if it is because of that, but I can’t feel the enthusiasm, the magical feeling of discovery. That’s a strange feeling, a feeling of ‘deja-vu’. At the same that I feel so LOST, without a true motivation to wonder, without being able to stick any direction or decision. I wanted to do so many things here. I brought my video camera, my digital camera to take photos, my laptop, all the chargers, a book and this note book. I ended not to do much. Too tired by carrying the bag ? Or just lost because I can’t find any point of view for this chaos ? I don’t know what to choose to shoot with my video camera. I just can’t choose… How disarming is this feeling. I always felt I needed to know well a place before shooting and I always needed to have a bigger goal – like creating a new context or meaning, to set a scene or a character. Have an objective and find a meaning, that’s maybe the key. The city is huge and I’m without guidance. Lost, feeling homeless in NY. I met people, I even talked in Portuguese, but this feeling didn’t disappear. Museums, galleries, coffee shops as homes. I saw some exhibitions, nothing too exciting. Even that is disappointing. I’m searching for something new. And I thought NY should be the place for that. But that’s not easy to find. I feel that struggle everyday in my work. How to create a new perspective, a new subjectivity, a new layer for this complex reality that surround us ? The key, I guess, is to find the ‘true heart’ of things and of ourselves. How can I find the ‘true heart’ of this city ? After several hours walking I stop in this coffee shop in the gay area of Chelsea. Before, I was doing a sort of a game: I’ll walk until I find a park to seat down and rest for a while. But I didn’t find any park, any tree, any bench to stop. Just long, long streets. My feet, my legs, my back, my shoulders were in pain. Exhausted, I seat here having a European cafe expresso, looking through the window to people passing by. To stop is the only way to look at people -- to understand the movement we must be still. Then I decide to go out again. No particular place to go, just keep going… Again on the street I decide to go walking to China Town to get the bus back to Philadelphia. Walking, wondering, keep going. After more 5 hours walking I finally find a park. Washington Square. My bag seems lighter now, like I did push the limits of endurance. I lay down in a bench of the park. The sun is shinning and there’s many people around. I think about the homeless people who usually choose parks to sleep and for some reason I feel home here, with the sun in my face, the music in my ears saying
Wondering leaving the sea behind
To my home which everybody owns
Wondering, wondering
Where we can do what we please
Wondering
I feel like a thousand years have passed
I'm younger than i used to be
I feel like the world is my home at last
I know everyone that i meet
I really like this song and I do feel that “the world is my home at last”
In the end of the trip, China Town again. 2 days has past. It should be a special day because every one is marrying. There’s so many young and beautiful young women dressed in white, smiling, full of hope. It seems almost unreal.
organic landscapes
"Heaven and earth and I are of the same root,
The ten-thousand things and I are of the one substance."
Zen Master Sojo
Creating Organic Landscapes was my performance today. It happened to be a meditation.
Inspired by the idea: "to see a world in a grain of sand"
It turned to be much more difficult than I thought. The very first thing was to choose the surface on which I would put the landscapes. After many ideas, I decided for a semi-transparent surface. Then the choice of each "ingredient" - the form, the texture, the color, the weight, the smell, the spirit. After that the way of combine them. Those were the first things to take care. I just put everything in the table and let the spontaneity to lead my movements and choices. At first the landscapes were more geometric, more controlled, more full of elements. But as the time went by, I become part of the substance of each landscape. I felt more creative, more free. The landscapes became simpler. Me and them were one.
The ten-thousand things and I are of the one substance."
Zen Master Sojo
Creating Organic Landscapes was my performance today. It happened to be a meditation.
Inspired by the idea: "to see a world in a grain of sand"
It turned to be much more difficult than I thought. The very first thing was to choose the surface on which I would put the landscapes. After many ideas, I decided for a semi-transparent surface. Then the choice of each "ingredient" - the form, the texture, the color, the weight, the smell, the spirit. After that the way of combine them. Those were the first things to take care. I just put everything in the table and let the spontaneity to lead my movements and choices. At first the landscapes were more geometric, more controlled, more full of elements. But as the time went by, I become part of the substance of each landscape. I felt more creative, more free. The landscapes became simpler. Me and them were one.
Mar 3, 2006
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